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Dirt Music : A Novel | 
enlarge | Author: Tim Winton Publisher: Scribner Category: Book
List Price: $15.00 Buy Used: $2.49 You Save: $12.51 (83%)
New (29) Used (38) Collectible (1) from $2.49
Rating: 48 reviews Sales Rank: 167312
Media: Paperback Pages: 416 Number Of Items: 1 Shipping Weight (lbs): 1.2 Dimensions (in): 7.9 x 5.3 x 0.8
ISBN: 0743228480 Dewey Decimal Number: 823.914 EAN: 9780743228480 ASIN: 0743228480
Publication Date: May 13, 2003 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: free tracking
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| Editorial Reviews:
Amazon.com Arguably one of the finest of all Australian novelists, Tim Winton shows that he remains in top form with Dirt Music, a wistful, charged, ardent novel of female loss and amatory redemption. The setting is Winton's favorite: the thorn-bushed, sheep-farmed, sun-punished boondocks of Western Australia. The cast is limited but spirited: the two chief protagonists are Georgie Jutland, a fortysomething adoptive mother with a vodka problem, and Luther Fox, a brooding, feral, bushwhacking poacher. The plot is something else altogether: an elegantly wearied, cleverly finessed mutual odyssey that opts to follow the sometimes intertwining, sometimes diverging lives of poor Georgie and Luther as they try to deal with the odd alliance they comprise, as well as the complex and fractured lives they want to leave behind. The way Georgie deals with her unwitting inheritance of two dissatisfied adopted kids is particularly touching, poignant, and well written. Best of all, though, is the prose. Somehow it manages to be simultaneously juicy and dry, like a desert cactus. This is especially true when Winton touches on the scented harshness of the Down Under outback: "the music is jagged and pushy and he for one just doesn't want to bloody hear it, but the outbursts of strings and piano are as austere and unconsoling as the pindan plain out there with its spindly acacia and red soil." This is a wise and accomplished novel. --Sean Thomas, Amazon.co.uk
Product Description Winner of The Miles Franklin Literary Award, The Christina Stead Award, WA Premier's Book of the Year, Book Data/ABA Book of the Year Award, Goodreading Award-Readers Choice Book of the YearSet in the dramatic landscape of Western Australia, Dirt Music tells the story of Luther Fox, a broken man who makes his living as an illegal fisherman -- a shamateur. Before everyone in his family was killed in a freak rollover, Fox grew melons and counted stars and loved playing his guitar. Now, his life has become a "project of forgetting." Not until he meets Georgie Jutland, the wife of White Point's most prosperous fisherman, does Fox begin to dream again and hear the dirt music -- "anything you can play on a verandah or porch," he tells Georgie, "without electricity." Like the beat of a barren heart, nature is never silent. Ambitious and perfectly calibrated, Dirt Music resonates with suspense, emotion, and timeless truths.
Download Description Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman - a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain. One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is - and out on White Point it is very dangerous. Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion -- and it confirms Tim Winton's status as the preeminent Australian novelist of his generation. "
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| Customer Reviews: Read 43 more reviews...
Splendid - Crackles from the page July 3, 2002 K. L. Cotugno (San Francisco, CA USA) 18 out of 20 found this review helpful
This novel hummed to me in such a strong voice, I found myself slowing down my pace in order to relish the experience. There is something intriguing about Australia, almost a mirror image of the United States but dramatically different. As in Dermot Bolger's "Father's Music," the music metaphor and its connection to the people in the story makes it almost a character in itself. The descriptions of the land are so vivid, you almost feel the dust in your throat. But what made this book soar for me was its ruminations on the nature of love. Not romantic love, but love warts and all -- the lost love of a man for his family, the lessening of love between a man and a woman, the complicated love a woman feels for her own highly dysfunctional siblings. I recommend this book, without any reservation.
Music for the land April 24, 2002 Deborah A. Armstrong (NSW Australia) 16 out of 16 found this review helpful
If Cloudstreet could be considered as a contender for the'Great Australian Novel' then Dirt Music is something more. Yet it is no less a novel that explores where we as Australians feel at home. Winton creates yet another beautiful male character in Luther Fox, whose attachment to the earth is multifaceted. He hears its resonances in the dirt music he plays and in the ocean where he is comfortable and then most powerfully in his journey north through Western Australia. This novel is a love story that tests boundaries. Georgie, the female protagonist inspires many emotions in us, but we are admire her determination in following Luther and 'saving' him. Underscoring this is winton's magical evoction of place and the rhythyms of the land. Most interestingly of all you can buy the double CD that acts as a soundtrack that underscores the necessity of music in our lives. We are lucky when we get a double dose - Winton's words with the music he believes best reflects what he is saying. Beautiful!
A beautiful read - Unravelling journey to the past October 2, 2002 Arry Tanusondjaja (Adelaide, Australia) 12 out of 13 found this review helpful
"Dirt Music" is more than just a story about a tangled relationship between Georgie Jutland, Jim Buckridge and Luther Fox, it's also a journey to uncover the ghosts of their past. It's a story that is well-written by Tim Winton, without being too artificial or too practical. Sensitive without being soppy; practical without being mechanical.Through the bleak landscape of Western Australia, we learn that protagonists also have weaknesses and the 'bad' guys also have their own reasons to behave the way they do. This is the reason why I can identify with the characters and understand the way they behave. Having lived in Australia for some years also makes me recognize the 'aussieness' of this novel - it seeps through every sentence that is written: how the locals are afraid of the Asian invasion; how men are suppposed to be men; and many more little themes that are included within the novel. The book is also seasoned with Australian cheekiness and humour which makes it a delight to read - however, that doesn't mean that the book is a trivial read. Tim Winton brings us to scenes and makes us breathe in the surrounding, stand and witness whatever that is happening in the following pages. I heartily recommend this book to those who want to visit Western Australia, and to read how each character deals with the ghosts of their past. A great read - full stop.
A Gem that Doesn't Hold the Light June 16, 2002 11 out of 14 found this review helpful
Tim Winton has an indisputable gift for language; seldom will you find more cleverly turned phrases or richer metaphors and similes, but "Dirt Music" is ultimately too opaque and self-indulgent. The language remains rich, but the story loses its way and the last 100 pages seem more the ramblings of a sunstruck psychedelic than an eloquent writer with a compelling story to tell. Most of the action takes place in the close-knit Western Australia fishing village of White Point, which is populated by characters who have a spiritual kinship to a dozen of Steinbeck's. Georgie Jutland, a well-traveled, well-worn forty-something ex-nurse from a dysfunctional family, is adrift in a brackish pool of indecision about her life and which man she wants to devote it to. Jim Buckridge, a stoic, widowed father of two young sons, stands tall and straight among them-a master fisherman and a strong, silent type who Georgie pities more than loves. Luther (Lu) Fox is a poacher of the first water whose crippled psyche draws Georgie like cat hair to a black sweater. But the Foxes are outcasts in this rough and tumble community while the Buckridges are its respected pillars. When the inevitable triangle forms, Lu is victimized in a particularly cruel way and Georgie is cast into a limbo darker than any she's ever known. Lu departs and Georgie's live-in relationship with Jim and his boys is flayed and filleted. Winton's long description of Lu's journey then not only leads the story off the beaten track, but off the track altogether. After forty or fifty pages of that, I no longer cared what happened to any of the characters.
Good style, good descriptions, lovely poetry, but... November 22, 2002 Isabell Kazich (Perth, Western Australia) 10 out of 16 found this review helpful
I had to struggle through the last half of the book. Tim Winton is undoubtedly a good writer, I have to admit and that's why I gave his novel two stars. It also took him seven years to write this, so you have to acknowledge the work he put into it. The author is well-read (and doesn't hide it),knows a lot about music and knows the Australian wilderness like no other. But in my opinion the main problem with this novel is that the plot is boring and devoid of surprises (except at the end, but I won't comment on that). The characters are a bit artificial, especially the nurse (I am a nurse too and can't identify at all with the way she's haunted by a former patient...). There's a lot that doesn't seem right in this book. There seems to be no logic in the characters' actions or feelings. I'm sorry I didn't like it; maybe I just didn't understand it... Maybe you have to be in a dark, cold, rainy place to appreciate it and dream about a holiday in Australia.
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