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The Woman Warrior: Memoirs of a Girlhood Among Ghosts | 
 enlarge | Author: Maxine Hong Kingston
Publisher: Vintage
Category: Book
List Price: $13.95
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Rating:  170 reviews
Sales Rank: 15913
Media: Paperback
Pages: 224
Number Of Items: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.9 x 5.1 x 0.6
ISBN: 0679721886
Dewey Decimal Number: 979.4053092
EAN: 9780679721888
ASIN: 0679721886
Publication Date: April 23, 1989
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Amazon.com Review
The Woman Warrior is a pungent, bitter, but beautifully written memoir of growing up Chinese American in Stockton, California. Maxine Hong Kingston (China Men) distills the dire lessons of her mother's mesmerizing "talk-story" tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upward. The author's America is a landscape of confounding white "ghosts"--the policeman ghost, the social worker ghost--with equally rigid, but very different rules. Like the woman warrior of the title, Kingston carries the crimes against her family carved into her back by her parents in testimony to and defiance of the pain.
Product Description
A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.
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| Customer Reviews: Read 165 more reviews...
 Crossing the Line March 29, 2000
Hee Jung Park (Colegio Maya) (Guatemala)
56 out of 60 found this review helpful
The Woman Warrior, by Maxine Hong Kingston, captures readers with her own interpretation of what it was like to grow up as a female Chinese American. As a little girl, she came to America with her family. Despite being in a new country, she had to deal with the old traditions from her homeland. Kingston hears different legends which she pieces together to create her woman warrior. It becomes her source of strength in a society that rejected both her sex as well as her race. The book, divided into five interwoven stories, is at times confusing as it jumps around. Nevertheless she does a great job explaining her life while growing up. The first story, called "No Name Woman," tells of her paternal aunt who bears a child out of wedlock and is harried by the villagers and by her family into drowning herself. The family now punishes this taboo-breaker by never speaking about her and by denying her name. However, Kingston breaks the family silence by writing about this rebel whom she calls "my forebear." The next story is called "White Tigers." It is a myth about a heroine named Fa Mu Lan, who fights in place of her father and saves her village. This story became the Disney movie, Mulan. "Sharman" is a story of Kingston's mother. It explores what it was like to study as a woman to become a doctor in China. "At the Western Palace" is about Kingston's aunt who comes to America and discovers that her husband has remarried in America. Finally, the last story, "A Song for a Barbarian Reed Pipe" is about Kingston's own experience in America when she first arrived. She explains what it was like to be a newcomer in a strange culture. Kingston constantly mentions that her friends and she are ghosts because they are American. All of the people who surround her family are ghosts, except for the Chinese people who live on the Gold Mountain, a section of Chinatown in San Francisco. Kingston feels like a ghost herself, " .... We had been born among ghosts, were taught by ghosts, and were ourselves ghost-like. The Americans call us a kind of ghosts" (p.183). The interpretation of what ghosts mean in this book is difficult to figure out. It could show how some people view a person from a different culture with ignorance as if she doesn't exist. Kingston's The Woman Warrior has some similarities with The Joy Luck Club by Amy Tan. First of all, both stories are written by Chinese American authors about their cultural heritage. Both novels deal with major concerns faced by Chinese American women. Living with their traditional culture in American society, Chinese-American women suffer problems of cultural conflicts. However, there are differences that make each work distinct. The Joy Luck Club is fiction and is not personal. It is also more likely to be read for pleasure. The Woman Warrior portrays a first hand view of the cultural differences between the United States and China. Also, Kingston succeeds in combining her emotions with her experiences. The Woman Warrior is a fascinating book. One of the most amazing aspects of this book is Kingston's ability to show how silence is a form of communication and how it shaped her being. Her mother tells her to be silent, yet she goes against her cultural standards by talking about her aunt. This act of will on Kingston's part offers the readers her ancestry. The expectation of silence can be simplified into a symbol of oppression. As a Korean-American, I felt the emotions and understood how Kingston felt for being a stranger to a new culture. Her internal struggle to fit into two different societies is difficult. I personally recommend this book to anyone interested in reading about the experience of one Chinese-American woman. It is not the definitive story of Chinese-American women's experience, but it is a very vivid and well-written account of one woman's life. Pg. 209. Published in the United States by Random House, Inc., New York
Challenging, rewarding read May 6, 2000
39 out of 42 found this review helpful
This is a remarkably intelligent, personal account of success, failure, frustration, and identity. No, the writing and structure are not straightforward, and yes, some of the plotline may be disturbing. But this is ultimately an intellectually rewarding read, and a personally emotionally moving experience.The anti-feminist backlash this novel seems to elicit (e.g., on this review page) should be testimony to how provocative it is, and how many assumptions it can challenge. As for it being a misrepresentation of Chinese culture, well, it's a subjective account. It's the culture through Maxine's eyes (and her family's eyes); it is not meant to be an objective anthropological study. And I did not find it at all exoticizing. In fact, it's a shame that MHK often gets mentioned in the same sentence as Amy Tan -- beyond the superficial similarity of both being Asian-American women, they have little in common. MHK does none of the silly exoticization that AT does, and at least to me, does not engage in the "Asians must be rescued by Western culture" ideology of AT. This is ultimately a personal, autobiographical account, that is neither judgmental nor self-pitying.
The first of this genre November 17, 2003
Peggy Vincent (Oakland, CA)
31 out of 34 found this review helpful
I didn't know beans about Chinese women when a friend put this book into my hands about 20+ years ago. Talk about a revelation. The Woman Warrior preceded Amy Tan's novels by at least a decade and went on to win several awards. It's about growing up Chinese American in California's Central Valley, working in the family laundry, and having to listen to her mother's stories that were designed to scare her into "good behavior." Some of these "talk stories" depicted women as fierce and strong warriors, while at the same time they were enslaved by their culture.
This memoir is intense, mystical, introspective, and full of marvelous and unexpected twists and turns. If you haven't yet read it, now's your chance.
 an incredibly detrimental book January 13, 2000
yam child (los angeles)
17 out of 33 found this review helpful
I only wish I could give negative points to this book. This book is not just a waste of time, it is actually EXTREMELY HARMFUL.I don't have a problem with feminist books, as I am a feminist. But Kingston, in this book, pushes a view that feminism is inherently opposed to Chinese culture (as opposed to American culture). This is patently untrue, since the vast majority of cultures in this world oppressed women. The book was terribly researched. Kingston distorts Chinese myths and cultural practices to support her assumption that traditional Chinese culture is "exotic" and threatening to women. Kingston presents her fictitious distortions under the guise of facts, misinforming numerous people about Chinese culture and encouraging prejudice and stereotyping. Do we really need books that propose all Asian women are victims of their cultures who needs to be saved by Western culture? I'm an Asian woman and my life experiences emphatically denies this sort of facile and condescending treatment of Asians in America.
 Identity Art at its worst June 16, 2000
Tim Lieder (New York, NY)
14 out of 27 found this review helpful
There are many reasons for hating this book, but one of the main reasons is that my least favorite professor said that this book exemplified everything that he had been trying to say about "race, class and gender" throughout the class.After 5 weeks of this class, I wanted to place sharp spikes into my ears whenever I heard the words "race, class and gender". The only reason why I give this book an extra star is because it might not be the book's fault that stupid politically correct classes teach it, and it might have been passable if read by itself. I doubt it. The book is about how the author is Chinese and a woman. It's about how the author is Chinese and a woman and OPPRESSED. Bad Chinese men killing women who get pregnant out of wedlock combine with bad white people who hate Asians and you got 300 pages of the "dominant patriarchy oppressing non-Western cultures who oppress their women" Oppression sure pays the bills for Kingston, but it doesn't make for an interesting read. I got the point, I used to preach the point. If Kingston wants to write a sermon on bad Asian men oppressing Asian women and getting oppressed by white people she should do it. If she wants to write fiction, maybe she should try characterization or plotting over sermons.
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