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Berlin Noir: March Violets; The Pale Criminal; A German Requiem

Berlin Noir: March Violets; The Pale Criminal; A German Requiem

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Author: Philip Kerr
Publisher: Penguin (Non-Classics)
Category: Book

List Price: $18.00
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Rating: 4.5 out of 5 stars 61 reviews
Sales Rank: 15029

Media: Paperback
Pages: 848
Number Of Items: 1
Shipping Weight (lbs): 1.2
Dimensions (in): 7.6 x 5 x 1.5

ISBN: 0140231706
Dewey Decimal Number: 823.914
EAN: 9780140231700
ASIN: 0140231706

Publication Date: January 1, 1994
Availability: Usually ships in 1-2 business days
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Editorial Reviews:

Amazon.com Review
Now published in one paperback volume, these three mysteries are exciting and insightful looks at life inside Nazi Germany -- richer and more readable than most histories of the period. We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)

Product Description
Ex-policeman Bernie Gunther thought he'd seen everything on the streets of 1930s Berlin. But then he went freelance, and each case he tackled sucked him further into the grisly excesses of Nazi subculture. And even after the war, amidst the decayed, imperial splendour of Vienna, Bernie uncovered a legacy that made the wartime atrocities look lily-white in comparison...


Customer Reviews:   Read 56 more reviews...

5 out of 5 stars Chandleresque prose. Don't believe me? Listen.   February 27, 2004
Richard L. Pangburn (Bardstown, KY USA)
38 out of 50 found this review helpful

Chandler's opening style is widely imitated. Here's a conscious tribute which goes Chandler one better by putting this voice into Hitler's Germany. Here he parodies the opening of THE BIG SLEEP, and does it deliciously. Only Barry Fantoni does Chandler as well.

"Circling the courtyard was an ambulatory, with a roof supported by thick beams and wooden columns, and this was patrolled by man with a pair of evil-looking Dobermanns. There wasn't much light apart from the coachlamp by the fron door, but as far as I could see the house was white with pebbledash walls and a deep mansard roof--as big as a decent-sized hotel of the sort I couldn't afford. Somewhere in the trees behind the house a peacock was screaming for help."

This paragraph is also brilliantly constructed, but what especially appeals to me is the self-effacing joke about the size of the house and the last sentence, the sort of telling detail that mirrors the sardonic attitude of the narrator toward the Nazi rich.

Next paragraph:

"Closer to the door I got my first good look at the doctor. Since he was at least fifty, I suppose you could say he was distinguished looking. Taller than he had seemed sitting in the back of the car, and dressed fastidiously, but with a total disregard for fashion. He wore a stiff color you could have sliced bread with, a pin-striped suit of a light-grey shade, a cream-colored waist-coat and spats; his hands were gloved in grey kid, and on his neatly cropped square grey head he wore a large grey hat with a brim that surrounded the high pleated crown like a castle moat. He looked like an old suit of armor."

A typical Chandleresque paragraph with the short summation sentence at the end like a punchline.

Next paragraph:

"He ushered me towards the big mahogany door which swung open to reveal an ashen-faced butler who stood aside as we crossed the threshold and stepped into the wide entrance hall. It was the kind of hall that made you feel lucky just to have got through the door. Twin flights of stairs with gleaming white banisters led up to the upper floors, and on the ceiling hung a chandeleir that was bigger than a church-bell and gaudier than a stripper's ear-rings. I made a mental note to raise my fees."

Another Chandleresque paragraph with the trade mark existenialism in the last sentence. He's not political, let alone communist, but the contrast between rich and poor is never far from the narrator's mind.

Next paragraph:

"The butler, who was Arab, asked to take my hat. "I'll hold onto it if you don't mind," I told him, feeling its brim between my fingers. "It will help me to keep my hands off the silver."



5 out of 5 stars Three 1930s Detective Novels -- This Time in Nazi Germany   February 25, 2000
Brad S. Leyhe (Needham, MA United States)
26 out of 28 found this review helpful

Phillip Kerr writes in the clearest of prose and is certainly one of the most gifted of our modern thriller/mystery writers. It is a sincere pleasure to read a well-written book, in this case a compilation of three books that seamlessly span the Nazi Germany years.

This volume captures his three Bernie Gunther novels, each a gem on its own. They are rich in the atomosphere of those strange, terrible years of Nazi Germany. These novels dare to set forth true police procedurals in the upside down world of a truly lawless society. Few of us can ever image how everyday life would be in a totalitarian society. These novels get the job done with a realistic, human hero. It is a pleasure to have a story unfold through the eyes of a rare, truly brave person with human frailities, not the more common super-hero that unfortunately litters most thrillers. It is thought-provoking to remember that many members of pre-war German society were ethical, moral people that felt outrage at a society with no rule of law. Further, we contemplate why there were not enough Bernie Gunther's left to opose and strive.

I hope that Phillip Kerr gives us another installment of this wonderful Bernie Gunther mini-series.


5 out of 5 stars Greatest of All Hard-Boiled Detective Novels   January 6, 1999
Bill Pen (Hamburg, PA USA)
20 out of 20 found this review helpful

I've been teaching detective fiction for a decade, and I have a book on the topic coming out from Macmillan this year. For my money (as I say in my book, "The Post-Colonial Detective"), the "Berlin Noir" trilogy is the finest work of hard-boiled detection ever published (based on distinguished writing, terrific plot, and fascinating characters and setting.) I've taught all three of these novels, and the students are crazy about them. I loaned them to a friend who teaches Nazi history, and he thought they were extremely accurate. If you can get hold of a map of pre-war Berlin (the Britannica has one that is adequate), you can follow along from street to street and building to building. Kerr's novel "A Philosophical Investigation" is future detection with the philosopher Wittgenstein as an important plot element, and virtual reality murders and serial killings and a woman detective. I thought my students would hate it, but they were crazy about it, too. Read Kerr, and spread the news.


5 out of 5 stars Phillip Marlow meets Herman Goering   October 17, 2000
Brian D. Rubendall (Oakton, VA)
19 out of 19 found this review helpful

It's been awhile since I've read a mystery series that has grabbed me with the intensity of Phillip Kerr's Berlin trilogy. Right from the start, his writing reminds you of Raymond Chandler, though more vivid and descriptive. But Phillip Marlowe never had to worry about ending up in a concentration camp and that threat gives the first two novels in this series even more of an edge. Kerr creates a dead on accurate feel for what it was like to live in Nazi Germany before the outbreak of the war. Like all good historical fiction, famous names grace the pages as minor characters, including Goering and Renhard Heydrich. Their appearances give the books weight, but Kerr is careful not to overdo it. Fans of Caleb Carr's superb novel "The Alienist" in particular should love this series as well as anyone with an interest in Nazi Germany.


3 out of 5 stars Mixed Results   January 21, 2002
John C Washburne (St. Louis, Missouri USA)
16 out of 19 found this review helpful

This trilogy is intriguing because I have several complaints about Kerr's style, yet I really did enjoy these books. First the complaints: 1) Way too many cliches. It's as if Kerr is trying to write a parody of thirties detective stories, except it isn't supposed to be funny. He's trying too hard to get the reader to see Bernie as a "seen too much", jaded character. 2) Kerr's description of Bernies sexual adventures is overdone and quite frankly the prose is laughable. It's like he took it straight from "Penthouse Forum".

On the other hand, I thought the storytelling was very good, and the plot lines were solid. And Kerr, to his credit, is capable of coming up with phrases that stick with you instantly.

An enjoyable and worthwhile read, but Alan Furst is a much better example of the genre.



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